Flow
My Tears, The Policeman Said
by
Philip K. Dick; ISBN:
0-679-74066-X
Week 49 (July 14, 2003)
I found
Philip K. Dick through the movies – Blade
Runner, based on his novel, Do
Androids Dream of Electric Sheep? happens to be my second
favorite science fiction movie of all time. (My most favorite sci-fi
flick, for what it’s worth, is Stanley Kubrick’s 2001.)
Because of Blade
Runner, I always thought I’d give Dick a try sometime,
but managed to put it off – alas, there are many books to read,
and so little time. Then I saw Steven Spielberg’s Minority
Report, a mediocre movie for my taste, not in the same category
as Blade
Runner and 2001,
but the story itself is intriguing, a future society where crimes
are discovered before they happen. I was wondering where Spielberg
got his clever idea when the titles rolled at the end and I saw the
screenplay was based on a Philip K. Dick short story. Two times could
be no accident; I decided to go to the source and see what this author
was all about.
Philip
K. Dick, who lived from 1928 to 1982, mostly in California, wrote
36 novels, many with odd titles, and 5 short story collections, winning
the Hugo Award in 1962 for The Man in the
High Castle. I decided to start with Flow
My Tears, The Policeman Said, which won the John W. Campbell
Memorial Award for best novel of 1974. Set in the futuristic year
of 1988, fourteen years beyond the book’s publishing date, Dick
imagined a world of incredible technology: 3-D television, cars that
fly, and other gee-whiz gadgets that have not come to pass. Like other
science fiction writers of his era, Dick got the future at least partially
wrong; technology has progressed more slowly than the optimism of
the mid-20th century believed. Yet this does not interfere with the
enjoyment of reading such a tale, and there are other human truths
to consider more interesting than flying cars.
As
with Minority
Report and Blade
Runner, Flow
My Tears, The Policeman Said visualizes a bleak, nightmare
world of the future where the police control every aspect of every
citizen’s existence. The story begins with Jason Taverner, a
famous TV star with 30 million viewers who wakes up one morning to
find that his identity is completely erased. He is more than undone.
Suddenly he has gone from fame to utter anonymity, a man with no record
that he ever existed – not even his closest lovers have any
memory of him. Jason is a superior being, a handful of genetically
modified humans known as “sixes,” but this does not help
him much as he sets out to discover what has happened to him.
In
Philip K. Dick’s United States, Civil War has been raging; there
are still pockets of “students” living in underground
pockets in various cities. To safely navigate this world, Jason needs
to buy himself the proper identity cards, a quest which takes him
to a waiflike forger, a pretty young woman who may, or may not, be
a police spy. Nothing is at all certain in this world, who is spying
on whom, who can be trusted. In fact, Jason is unable to stay in hiding
long before his circumstances come to the attention of Police General
Felix Buckman, a high Los Angeles official who is living in an incestuous
relationship with his sister and who sets about in a cat-and-mouse
fashion to bring Jason in.
Don’t
look to Philip K. Dick for any high literary purpose; this is pulp
fiction in the original meaning of the phrase, science fiction born
from cheap magazines of the 1950s in which writers had to spin a tale
as fast as they were able. Flow
My Tears, The Policeman Said is a book you can gobble up in three
or four hours, an ultimately quick read – vintage sci-fi that
is a great deal of fun if you don’t take it too seriously. And
as far as the future is concerned, we all know – don’t
we? – that the police in the United States will never have the
power of a General Buckman to know every minute detail about each
citizen: every credit card transaction we make, what we read, what
we watch on TV, our politics, even our sexual inclinations. This,
happily, is only the realm of science fiction?